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Resume - When Harry Met Sally... is a movie starring Billy Crystal, Meg Ryan, and Carrie Fisher. Harry and Sally have known each other for years, and are very good friends, but they fear sex would ruin the friendship. Star - Meg Ryan. Genre - Drama. director - Rob Reiner. countries - USA. duration - 95 Minutes. Ready Freddie... Weddings American Red cross. There's actually quite a big age difference between Tom Hanks and Dave Chappelle. About 17 years, I think, and yet they play friends in this movie. Watch Full Harry, ti presento salle de sport.

Watch full harry 2c ti presento sally. dj. Was habe ich mir gerade angesehen. Watch full harry 2c ti presento sally. online. Watch full harry 2c ti presento sally. remix. We didn’t realize it at the time, but 30 years ago this month, New York City got a significant pop culture makeover. With the television debut of Seinfeld and the theatrical release of When Harry Met Sally..., the perception of the Big Apple began shifting—from a hellhole of murders and muggings to a place where Jewish men take sauntering walks with platonic female friends while making wry observations. As New York entered the 1990s, the changes kept coming. There was a significant reduction in crime; then came Friends, then Sex and the City. Neighborhoods with scary names like Hell’s Kitchen and the Meatpacking District became a haven for high-end boutiques and very expensive brunches. You don’t need to be Lewis Mumford or Jane Jacobs to understand that it all tied back to Meg Ryan making prurient moans over a sandwich. Jerry Seinfeld and Larry David ’s New York was a welcoming, wacky village—but in When Harry Met Sally…, director Rob Reiner and the late screenwriter Nora Ephron romanticized Ryan and Billy Crystal ’s sun-dappled strolls past landmarks, through museums and into our hearts. Yes, they were pinching a style that originated with Woody Allen, whose romantic comedies of the 1970s and ’80s presented a lithe and stimulating New York to counter the version found in Taxi Driver or Death Wish stereotype—but When Harry Met Sally… connected with audiences in a way that Allen hadn’t since Annie Hall 12 years prior. The 1989 film even got Great American Songbook selections from the young Harry Connick Jr. on the radio, a feat that jazz-loving artiste Allen could never accomplish. The film focuses on Harry (Crystal)—an obnoxious-yet-still lovable mansplainer who has some blunt Man Show -esque opinions about male-female relationships but isn’t crude about it—and Sally (Ryan), alternately a charming control freak and a wide-eyed rube. Thanks to Ephron, both are sympathetic and flawed—not in a clichéd way, but one that gives these characters depth. To watch the movie in 2019 is to be struck at just how much of it still works. Sure, the clothing is dated; there’s precious little talk of non-Manhattan boroughs, and the movie is extremely white. But the framework still rings true. Find the right partner, Ephron and Reiner are saying, and you can basically live out this story. The backdrop is waiting for you—starting with the Washington Square Arch, a gorgeous marble edifice erected in 1892 that literally bookends this story. Their disastrous first meeting is capped when Harry and Sally reach the arch; at the end of the film, Harry gazes up at the structure before racing off to his destiny (i. e. Sally). Ryan and Crystal in front of the Washington Square Arch. © Columbia Pictures/Everett Collection. “Washington Square Park’s earliest incarnation was as a potter’s field—a giant grave for the poor. There are approximately 20, 000 dead bodies under the park. Then it was used as a military parade ground. There are some grisly, possibly apocryphal stories about hangings there, at a tree in the northwest corner of the park, ” Matt Levy, half of the father-son tour guide company the Levys’ Unique New York, told me. These days, though, the location is more famous as a movie backdrop: “People recognize it as the arch Will Smith runs through in the movie I Am Legend and where August Rush ’s parents fall in love. ” Later in the film, just when Harry and Sally reconnect and realize they reach one another as jilted lovers, they take a day trip to the Metropolitan Museum of Art. It’s the film’s quintessential scene, a sequence of inspired riffing: Harry decides that he’s going to provide that day’s witticisms using a funny voice. Sally tries to imitate it (talking about pepper in her paprikash), but doesn’t get it right. (Ryan’s performance is dynamite here; either she genuinely breaks and starts laughing, or she fakes it in an utterly convincing way. ) This silliness (which tees up Sally telling Harry she’s going on her first post-breakup date) is set in the enormous Egyptian wing of the Met, where a modern (well, late ’70s) wall of windows illuminates one of the city’s most striking landmarks: the Temple of Dendur. “It’s a tiny example of a major kind of construction, ” said Marsha Hill, curator in the Department of Egyptian Art. It’s an actual temple, built in 10 BC in Nubia, south of Ancient Egypt, under the reign of Roman Emperor Caesar Augustus. You can see an engraving of him in the guise of a pharaoh—depicted as per local customs, in an attempt to win the hearts of his subjects. “There’s nothing like it in this country, ” Hill boasted. Crystal and Ryan with director, Rob Reiner on set. By Andy Schwartz/Castle Rock/Nelson/Columbia/Kobal/Shutterstock. Rebecca Schear, senior production manager at the Metropolitan, has a different kind of relationship with the Temple: She is the liaison with any film and television crew who is lucky enough to get permission to shoot there, though she wasn’t working at the museum when Reiner’s film became the first movie to do so. The Sandra Bullock –led heist flick Ocean’s 8 was the biggest production she’s been a part of, but the Temple has also been host to a wide variety of projects—from The Bachelorette and Jeopardy! to those two seconds of Kate McKinnon on her Saturday Night Live intro each week. “Yeah, she shot that at one in the morning, ” Ken Weine, chief communications officer of the Met added with a sigh. Later in the film—after Harry and Sally have been best friends for a while, but still before they finally sleep together—their conversation turns risqué. Sally gets annoyed at hearing about Harry’s bedroom conquests and suggests that, mathematically speaking, it’s entirely possible one of his trysts has faked an orgasm. You remember the scene; it’s a classic. And it’s set in the greatest old-school cafeteria of all, Katz’s Delicatessen. Katz’s, a Lower East Side staple, has been around since 1888, though it’s been in its current location “since the subway was built”—which translates to “about a hundred years ago. ” Which also translates to “why are you asking so many questions? It’s old! ” Gourmands have sung the praises of its pastrami, chopped liver, and matzo ball soup. But tour guide Matt Levy has a richer explanation for why Katz’s persists: “It’s the last, best Jewish-style deli in New York, and to be the best it can’t just be the food. It can’t just be the atmosphere. It has to be the clamor. … Even when the Carnegie Deli was around, even when the Stage Deli was around, even when the Second Avenue Deli was still on Second Avenue—they were small. They didn’t have Katz’s massive, almost Bavarian beer hall-type size, and all that noise and all those languages and their spectacularly arcane ordering system, which leaves one-fifth of the patrons jostling in line. ” "I'll have what she's having. " Top, from Castle Rock/Nelson/Columbia/Kobal/Shutterstock; bottom, © Columbia Pictures/Everett Collection. Yes, Katz’s really is that great—and the film captures its magic. (Even if the table where Harry and Sally sit is not in the wait service section, if I may be nitpicky. ) The legendary eatery has leaned in to its spot in cinematic history, with a dangling sign pointing out “where Harry met Sally! ” and riffing on the famous scene’s punch line. You could go nuts looking at the massive collection of celebrity photos on Katz’s cavernous walls; my personal favorite is of David Johansen as Buster Poindexter simply because it says “Hot! Hot! Hot! Pastrami” in the caption. But if the most important movie star is there, I’ve never found her. Not Meg Ryan, or even her costar Carrie Fisher—but the purveyor of the best rim shot in all of motion pictures. After Sally’s phony climax, with the entire restaurant staring at her, a nondescript middle-aged woman says to the waiter, “I’ll have what she’s having. ” That woman was Estelle Reiner (mother of Rob, wife of Carl), and getting this part may have been the greatest gift a son has ever given. The restaurant has planned an anniversary reenactment contest, in which competitors will be invited to deliver their best fake orgasms. But in my eyes, waiting for an officially sanctioned event is not in the spirit of the film, which urges fans to laugh and be spontaneous in all of New York’s classic spaces. There’s never been a sequel to When Harry Met Sally... —but we don’t need one so long as lovers are still out there, cracking each other up in the city’s most picturesque backdrops. More Great Stories from Vanity Fair — Our cover story: How Idris Elba became the coolest—and busiest—man in Hollywood — Our critics reveal the best movies of 2019, so far — Plus: the 12 best TV shows of the year, thus far — Why The Handmaid’s Tale has a serious villain problem — Can Democrats win back the internet in the age of Trump? Looking for more? Sign up for our daily Hollywood newsletter and never miss a story.

They gonna show the whole movie in a trailer. Und wieder ein film dessen handlungsverlauf ich schon kenne ohne ihn gesehen zu haben GÄHN. 7 Want to watch this again later? Sign in to add this video to a playlist. Sign in Like this video? Sign in to make your opinion count. Don't like this video? Published on Oct 28, 2012 Jeder, der den wunderbaren Filmklassiker Harry und Sally gesehen hat, erinnert sich unweigerlich an Meg Ryans gespielten Orgasmus in einer Snackbar...
https://cleanuri.com/rRvwwg Eimer füllen 😂. Watch Full Harry, ti presento salle de réception. Watch full harry 2c ti presento sally. html. Can I add this movie to my favorites on boxxy software. When Harry Met Sally... Soundtrack album by Harry Connick Jr. Released July 1989 Recorded June 6, 12 & 19, 1989 Studio RCA Studio B, New York City Genre Traditional pop Length 38: 00 Label Columbia Producer Marc Shaiman, Harry Connick Jr. Harry Connick Jr. chronology 20 (1988) When Harry Met Sally... (1989) We Are in Love (1990) Professional ratings Review scores Source Rating Allmusic [1] When Harry Met Sally... is the soundtrack to the movie When Harry Met Sally... starring Billy Crystal and Meg Ryan. The songs are performed by pianist Harry Connick Jr., who won the Grammy Award for Best Jazz Male Vocal Performance. Background [ edit] Bobby Colomby, the drummer for Blood, Sweat & Tears and a friend of director Rob Reiner, recommended Harry Connick Jr. for the soundtrack. When Reiner listened to the tape Colomby gave him, he was struck by how Connick sounded like a young Frank Sinatra. [2] The movie's soundtrack was released by Columbia Records in July 1989 and consists of standards performed by Connick with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy Award for Best Jazz Male Vocal Performance. [3] Arrangements and orchestrations on " It Had to Be You ", " Where or When ", "I Could Write a Book" and "But Not for Me" are by Connick and Shaiman. Other songs were performed as piano and vocal solos or with Connick's trio with Ben Wolfe on double bass and Jeff "Tain" Watts on drums. Also appearing on the album are tenor saxophonist Frank Wess and guitarist Jay Berliner. The album went to No. 1 on the jazz chart at Billboard magazine and reached the top 50 of the Top 200 Albums chart. [4] Connick toured North America in support of this album. [5] It was given double-platinum status. [6] Track listing [ edit] " It Had to Be You " ( Isham Jones, Gus Kahn) " Love Is Here to Stay " ( George Gershwin, Ira Gershwin) " Stompin' at the Savoy " ( Benny Goodman, Chick Webb, Edgar Sampson, Andy Razaf) " But Not for Me " (G. Gershwin, I. Gershwin) " Winter Wonderland " ( Felix Bernard, Richard B. Smith) " Don't Get Around Much Anymore " ( Duke Ellington, Bob Russell) " Autumn in New York " ( Vernon Duke) " I Could Write a Book " ( Lorenz Hart, Richard Rodgers) " Let's Call the Whole Thing Off " (G. Gershwin) " It Had to Be You (Instrumental Trio)" (Jones, Kahn) " Where or When " (Hart, Rodgers) Music in the film [ edit] The music on the soundtrack is performed by Connick, while the music in the film is by various artists: " It Had to Be You Instrumental Trio " ( Isham Jones, Gus Kahn) – Harry Connick Jr. Trio " Our Love Is Here to Stay " ( George Gershwin, Ira Gershwin) – Louis Armstrong and Ella Fitzgerald " Don't Pull Your Love " ( Brian Potter, Dennis Lambert) – Hamilton, Joe Frank & Reynolds " Ramblin' Man " ( Dickey Betts) – Allman Brothers Band " Right Time of the Night " ( Peter McCann) – Jennifer Warnes " Let's Call the Whole Thing Off " ( G. Gershwin) – Louis Armstrong and Ella Fitzgerald " Where or When " ( Lorenz Hart, Richard Rodgers) – Ella Fitzgerald " Lady's Lunch " ( Marc Shaiman) " The Tables Have Turned " ( Laura Kenyon, Marc Shaiman, Scott Wittman) " But Not for Me " ( G. Gershwin) – Harry Connick Jr. "Plane Cue and La Marseillaise " ( Max Steiner) (from Casablanca (1942)) " La Marseillaise " ( Claude Joseph Rouget de Lisle) " Autumn in New York " ( Vernon Duke) – Harry Connick Jr. Trio " Winter Wonderland " ( Felix Bernard, Richard B. Smith) – Ray Charles " I Could Write a Book " ( Hart, Rodgers) – Harry Connick Jr. " The Surrey with the Fringe on Top " ( Rodgers, Oscar Hammerstein II) – Billy Crystal and Meg Ryan " Say It Isn't So " ( Irving Berlin) " String Quartet No. 7 in E-flat major " ( Wolfgang Amadeus Mozart) " Stompin' at the Savoy " ( Benny Goodman, Chick Webb, Edgar Sampson, Andy Razaf) – Harry Connick Jr. Trio " Don't Be That Way " ( Sampson, Goodman, Mitchell Parish) " Have Yourself a Merry Little Christmas " ( Ralph Blane, Hugh Martin) – Bing Crosby " Call Me " ( Tony Hatch) – Billy Crystal " Don't Get Around Much Anymore " ( Duke Ellington, Bob Russell) – Harry Connick Jr. " Isn't It Romantic " ( Hart, Rodgers) " Auld Lang Syne " ( Robert Burns) – Louis Armstrong " It Had to Be You " ( Isham Jones, Gus Kahn) – Frank Sinatra Certifications [ edit] References [ edit] ^ Allmusic review ^ Reiner, Rob; Nora Ephron; Billy Crystal (2008). "DVD Audio Commentary". Collector's Edition DVD. 20th Century Fox. ^ "Grammy Award Winners". Grammy. Retrieved January 9, 2008. ^ Jones, James T (December 28, 1989). "Harry Connick Jr. : He's All That Jazz". USA Today. ^ Miller, Mark (November 23, 1989). "Brazilian rhythms with lots of appeal When Harry Met Sally... Harry Connick Jr". The Globe and Mail. ^ Bush, John. Biography". Legacy Recordings. Retrieved June 15, 2008. ^ "Canadian album certifications – Harry Connick jr – When Harry Met Sally". Music Canada. Retrieved October 10, 2019. ^ "American album certifications – Harry Connick jr – When Harry Met Sally". Recording Industry Association of America. Retrieved October 10, 2019. If necessary, click Advanced, then click Format, then select Album, then click SEARCH.

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Image Credit... From left: Columbia Pictures/Photofest; Tony Cenicola/The New York Times You’re reading a travel article that revisits locations used to shoot a well-known holiday movie set in New York City, so of course you assume you’ll see the phrase “Miracle on 34th Street. ” Well, there it was, but don’t expect to encounter it again, because that film is too obvious a choice for our theme. Macy’s is still there, Gimbels isn’t; end of story. Instead, our subject is an entirely different film, one that may not leap immediately to mind as a holiday classic. We’re going to retrace the steps of Billy Crystal and Meg Ryan in “When Harry Met Sally, ” Rob Reiner’s 1989 romantic comedy. What qualifies that as a holiday film? Three things: 1. It has a Christmas tree in it. Several, actually. 2. Its pivotal scene involves a New Year’s Eve party. 3. It is, on one level, all about taking a leap of faith into a hopeful future, certainly appropriate for a holiday season that ends on New Year’s Day. The film also has a bittersweet pull this particular year because one of its costars is Carrie Fisher, who died two days after Christmas at age 60. The main work, though, is done by Ms. Ryan and Mr. Crystal as the title characters, who begin as friends but, ever so slowly, figure out that they’re in love. The story takes place over a period of years, beginning when Sally is introduced to Harry by a friend and gives him a ride from Chicago to New York after their college graduation. As the years go by, the two keep bumping into each other in the city, then start hanging out in a platonic friendship, until eventually Cupid’s arrow finds them. Along the way they laugh, argue and have one eminently memorable meal in a delicatessen. More on that later. A fan of the movie could spend two enjoyable days bopping around to the places Harry and Sally went, though of course the landscape has changed over 27 years. One day could be devoted to sites in and around Central Park — think of it as the traditional, heart-of-Manhattan version of New York. The other day would be more exploratory. Let’s start with that one, since it is where Harry and Sally’s New York story begins. Washington Square Park When they first arrive in the city after that drive from Chicago, Sally drops Harry off at Washington Square Park in Greenwich Village. It’s a moment that for today’s viewer carries a tinge of sadness: As they drive south toward the Washington Arch, we see, framed in that wonderful marble monument, the World Trade Center towers. The view downtown is more obstructed today (especially at the moment, when there’s a Christmas tree in the arch), but stand in the right spot and you can still see the top of 1 World Trade Center, the skyscraper that replaced those buildings. The park is always abuzz with humanity thanks to the presence of New York University, whose buildings are all around the neighborhood, and restaurants and cultural activities are everywhere. But pause here only long enough to admire the arch, built in the 1890s, because you have other places to be. Walk south to Houston Street and turn left, where at Lafayette Street you’ll encounter the red-brick Puck Building, location of two important scenes in the movie: a wedding where Harry and Sally quarrel, and the New Year’s Eve party at the film’s end where Harry finally confesses his love. The building dates from the 1880s and has a varied history, including being the home of Puck magazine, the groundbreaking political-humor publication. Its tenants are blander today: N. Y. U. uses some of the space, and a large REI store occupies a chunk of three floors. Six luxury penthouses were created in 2014 on the upper floors; in February one sold for more than $28 million. The character of this area is also changing fast, and the Puck Building corner is evidence: Across Lafayette is a vacant lot with a construction fence and a sign promising a new commercial building by 2018. Katz’s Deli Your lunch is waiting farther east on Houston, the site of the most famous 2 minutes and 53 seconds in “When Harry Met Sally” and one of the finest comic scenes in movie history. You know it even if you’ve never seen the film: Harry and Sally at a restaurant table debating whether women fake orgasms; Sally proving her point that they do by having a (fake) one right there in the crowded bistro; a woman at a nearby table saying, “I’ll have what she’s having. ” Mr. Reiner’s mother, Estelle, delivered that memorable line. The scene was filmed at Katz’s Deli at 205 East Houston, which was already something of a New York institution before that exquisite bit of hilarity was shot there. It’s still a bustling enterprise, though your bragging rights for having eaten there won’t come cheap: Expect to pay $19. 95 for the hot pastrami sandwich. In the film, a sign hangs over Harry and Sally that reads, “Send a salami to your boy in the Army. ” That message can still be found among the busy décor of the place, but another sign now dangles over that particular table. “Where Harry met Sally, ” it reads. “Hope you have what she had! ” These days Katz’s is increasingly dwarfed by newer, much taller buildings, and another residential complex will soon go up across the street. The Lower East Side has gentrified quite a bit since the movie was made, and Katz’s, with its difficult-to-decipher ordering system and its walls covered with photographs of celebrity customers, seems increasingly out of place amid the slicker restaurants and chic hotels down the side streets off Houston. A Drybar, the blowout hair salon chain, is just around the corner. To step out of Katz’s and roam these trendier enclaves is to step from old New York into the newer one. Coney Island Even more of a culture shock awaits on the “When Harry Met Sally” tour, because after lunch you’re going to catch the F train at Second Avenue and take the long ride out to Coney Island in Brooklyn. Once there, a short walk down Stillwell Avenue toward the ocean brings you to the spot where the scene just before the Katz conversation was filmed, according to various movie websites. Harry and his pal Jess (Bruno Kirby) are hitting a few in the batting cages that once stood there, holding a ridiculous conversation about women as they do. Mr. Kirby is batting right-handed; Mr. Crystal is hitting leftie. In a commentary on one of the DVD releases of the film, Mr. Reiner commends Mr. Crystal for being able to do so convincingly, since he normally hits right-handed. Reiner needed him to bat from the other side to frame the shot the way he wanted it. In the movie, it’s a warm-weather scene, and Coney Island is a mandatory stop for anyone who visits New York in the summer. But is there any reason to go there at this time of year? Yes. You go there to find something that is mighty scarce in Manhattan and other parts of New York in the holiday season: solitude. On a chilly December afternoon, I had the streets and the boardwalk more or less to myself. There’s a certain beauty to watching the dimming of the day at a deserted oceanfront amusement area. The block where the batting cages stood is now home to Luna Park, an updated version of the amusement rides that have always been part of Coney Island’s identity. When change came a few years ago there was much gnashing of teeth about whether the down-market character of the place would be lost. It hasn’t been; this is still an old-school amusement area when it’s operating. (My favorite addition: the “Coney Art Walls, ” colorful murals in an outdoor food court across the street from Luna Park. ) In the cold-weather months, of course, most everything is in hibernation. Luna Park’s rules of conduct, though, are still prominently posted, including this one: “Guests using profanity or abusive language, symbols or gestures will be escorted from the park without refund. ” Harry and Jess may have been borderline candidates for eviction under those rules. In the scene, Harry brags about making a woman “meow” in bed. Central Park Boathouse The second day of the “When Harry Met Sally” tour is more conventional. Begin with an early lunch at the restaurant at the Loeb Boathouse in Central Park, but only if you remembered to make a reservation — this is a very popular spot at any time of year. In the movie, Sally dined there with two girlfriends in warm weather. At this time of year the surface of the lake in the background won’t be rippling in the breeze as it was in the movie, but the setting is lovely in all seasons. Metropolitan Museum of Art After lunch you can walk to the Metropolitan Museum of Art, whose Temple of Dendur is the setting for a scene in which Harry talks in a nonsensical voice about pepper, paprikash and pecan pie. This amazing spot, an atmospheric marvel in the middle of a bustling city, is an Egyptian monument that was relocated when it was threatened by the rising waters resulting from the Aswan Dam. The ridiculous exchange in the scene, Mr. Reiner relates in the commentary, was Mr. Crystal’s invention. It may have been the first time the 2, 000-year-old temple stones had heard anyone say “paprikash. ” Cafe Luxembourg As dinner time nears, make your way across to the west side of Central Park and Cafe Luxembourg on 70th Street. That’s the site of a scene in which Harry tries to set Jess up with Sally, but the four-way dinner (Ms. Fisher plays Sally’s friend Marie, who completed the quartet) doesn’t go as planned: Jess and Marie end up together. Cafe Luxembourg was relatively new at the time; it opened in 1983. The patrons in the scene sport business attire, but today the restaurant has a relaxed, neighborhood feel. It’s popular enough that a reservation is recommended during prime dining time. Sally ordered grilled radicchio; on a recent visit, I had a delicious plate of swordfish. Upper West Side Christmas Tree Shopping Walk off your dinner by strolling north to 209 West 96th Street and the scene that goes a long way toward making “When Harry Met Sally” a holiday movie. Twice in the film, Sally is seen buying a Christmas tree from a sidewalk display at the Plant Shed here. The shop is still operating, and in the weeks leading up to Christmas it still displays an array of trees on the sidewalk in varying sizes and prices. When I visited a few weeks ago, there were also gorgeous decorated trees inside. A blue, green and silver beauty labeled “Fairy Tale” had an $850 price tag on it. As a point of contrast, the shop’s neighbor is the Church of the Holy Name of Jesus, whose thrift shop was doing a good business that same day. I was hoping for a moment of serendipity as I browsed its collection of used DVDs, but, alas, I saw no copy of “When Harry Met Sally. ” It would have cost $2. 50 if I had. I got serendipity of a sort, though, as I turned south onto Amsterdam Avenue. In the movie, the first time Sally is buying a tree, it’s with still-just-a-friend Harry. The second time is after they’ve taken their relationship to another level, then had a falling out. Sally is alone and looking miserable. Had she dragged her newly bought tree around the corner the day I was there, she would have come to a watering hole called Dive Bar. It had a sandwich board out front that read, “We have beers as cold as your ex’s heart. ” Sally would surely have stopped in. Neil Genzlinger is a television and film critic at The New York Times.

1) Men are always idiots before they hit thirty (And usually after) 2) Most men have no taste and 3) and the one that never gets mentioned is that even when women are wrong they will never admit to it.

And for me this is the key thing that separates this movie from others as I have seen countless romantic comedies where the bloke makes mistakes and gets things wrong, but there very few movies where the female lead is as flawed and f* ed up as the man (Only 2 spring to mind.

This is the story of Harry and Sally, two people who meet on the journey to a new life in New york. In the road trip there we learn 2 things, 1) Harry is a jerk and 2) Sally has still not been opened up sexually. These are clear from the conversations that take place, and the two leads play these roles to perfection.

We leap frog 5 years and then another 5 years to see both characters coming to the end of long-term relationships and both suffering in different ways, Harry by seeking refuge in one night stands and Sally by being in denial, however as their friendship blossoms they both start to begin the healing process and as the movie moves further through their lives to it's inevitable conclusion we find out a hell of a lot about relationships and life in general as we go through one of the most enjoyable 90 minutes that the movies have produced over the last 20 years.

The two leads are played with charm, vulnerability and honesty by Crystal and Ryan as the discuss anything and everything, from young girl's lack of understanding of "Casablanca" to the difference between women's and men's sex dreams. Whilst Nora Ephron's script is superb, what marks this out from later efforts are 2 things. Billy Crystal's superb comic skill, which can take something that's nothing and make it fantastic, and the direction of Rob Reiner, which avoids some of the later Ephron efforts of being too over the top or over-long due to her desire, like most writers, to get every word from the page onto the screen, which often doesn't work.

This is one of the best films of the eighties, but like many great films of this era "Tootsie. Bill and Ted" and "Ghostbusters" it is regarded as being, well, not as good as it is due to being made in the eighties.

Fashion changes, class remains and this is class

Nuff said.

Em.

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Why are all these damn movies the same.

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0:59 that booty yooo. Yeyyy, wieder ein Film der nur aufs f*cken reduziert ist. Dann noch eine Nachmache von und täglich grüßt das Murmeltier. Niveaulos und anspruchsloser Film für eine verdummende Gesellschaft. Watch Full Harry, ti presento sally. Where music meets your desktop Our new desktop experience was built to be your music destination. Listen to official albums & more. Unsubscribe from Willy Duebel? 51 Want to watch this again later? Sign in to add this video to a playlist. Sign in Like this video? Sign in to make your opinion count. Don't like this video? Rating is available when the video has been rented. This feature is not available right now. Please try again later. Published on Feb 28, 2019 Playing my Thorndal STC 68N. Category Music Song Harry und Sally Artist Rendezvous Album Gold - 15 Jahre Hit auf Hit Licensed to YouTube by Zebralution Autoplay When autoplay is enabled, a suggested video will automatically play next. Up next
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